|
Clown
|
Pepa
Plana |
|
Lighting
|
Jordi
Llongueras |
|
Sound
|
Xavier
Forner |
|
Stage
Manager
|
Oriol
Blanchar |
|
Costumes
|
Lola
Coll |
|
Backcloths
|
Enriqueta
Freixenet |
|
Props
|
Toni
Desquens and Roser Carix |
|
Photography
|
Joan
Sánchez |
|
Graphic
Design
|
Àlvar
Ardévol |
|
Choreography
|
Adolfo
Colmenares |
|
Production
|
La
Vaca Flaca |
|
Dramatists
|
Pepa
Plana and Joan Busquets |
|
Director
|
Joan
Busquets |
What
the press said:
Pepa Plana
Joan Maragall surely could never have imagined that one of his best-know
poems - La Vaca cega (The blind cow) - would one day prompt a collective
feast of belly laughter.
Belen Ginart in the newspaper El País, 14 June 1998.
A clown
This is a show that's full of humour and irony, with hits aplenty. Gestures
and special gazes lurk in that big red nose she always has on; and the
audience laughs away unrestrainedly. Along with her gags, this clown
also conveys a large measure of humanity.
Gonzalo Pérez de Olaguer in the newspaper El Periódico,
22 December 1998.
Entertaining clowns
A supreme actress, versatile and capable of prompting a gale of raw,
unforced laughter at a stroke. Guffaws at recognising the absurdity
she portrays and parodies.
Javier García Sanchez in the newspaper El Mundo, 7 December
1998.
Pepa Plana displays her
great gifts as a clown
Between one guffaw and the next, she strikes home. She recites poetry
her way, and explains her experiences to an attentive, amused audience
that doesn't know what to expect next from a clown such as Pepa Plana,
who displayed her great talent yesterday.
Josep María Marsal in the newspaper Diari de Tarragona, 12
November 1999.